Tulsa International Mayfest 2017
Where: Downtown Main Street
Tulsa, OK
When: May 18-21, 2017
Application Deadline: January 31, 2017
Application Fee: $35
Jury Results Notification: February 24, 2017
Tulsa International Mayfest is now seeking applicants from fine artists and crafts people wishing to show at Mayfest. Surrounded by Tulsa’s historic downtown which features world- renowned art deco buildings, the BOK Center and a vibrant night life. In 2017, Mayfest will be celebrating its 45th year and has several special events planned. In 2016 artist sales increased during Tulsa International Mayfest. Created to promote the visual and musical arts, our four-day Tulsa tradition invites approximately 100 fine artists and 25 craftspeople to exhibit their work. Entries are professionally judged according to strict guidelines.
Mayfest is an outdoor tribute to the arts that is a family-oriented event created to promote a broader knowledge of and appreciation for visual and musical arts among serious, as well as casual art lovers. Tulsa International Mayfest is making plans to stage Tulsa’s first festival of the festival season, Tulsa International Mayfest 2017, May 18-21.
Mayfest will feature a variety of arts including dance, music and visual arts. Always one of the major highlights of spring, Mayfest 2017 will be planned to encompass some of the very best in both the visual and performance arts.
Budget: $253,000
Deadline: 1/5/17
The Texas Tech University System seeks to commission a professional artist to create site-specific exterior sculpture(s) to be placed outside the new Archer College of Health and Human Services, located on the Angelo State University Campus, a member of the Texas Tech System, located in San Angelo, TX. Construction of the new facility will be completed by January 2018. See full RFQ for more details (http://esbd.cpa.state.tx.us/bid_show.cfm?bidid=129447
2017-2018 Boerne Art al Fresco Public Art Competition
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Fee: $0.00
Entry Deadline: 1/15/17
DEADLINE: 01/15/2017. Stipend: $1,500 each
The City of Boerne, Texas seeks up to ten (10) outdoor sculptures for its Boerne Art al Fresco Public Art Competition. The sculptures will be exhibited outdoors in and around the City’s downtown Historic District, The Hill Country Mile, and the Boerne Trail system. Selected works will be loaned to the City for a period of 12 months.
Only completed, ready-to-loan artworks will be accepted. Submissions of artwork concepts, maquettes, or models will NOT be considered.
Exhibition schedule: March 25, 2017 – March , 2018
Installation schedule: March 22-24, 2017
CLICK HERE TO VIEW COMPLETE CALL FOR ENTRY BEFORE APPLYING
Sculpture For All Competition & Exhibition
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Fee: $15.00
Entry Deadline: 1/16/17
Juror: Dewane Hughes
Stephen F. Austin State University (SFA) in Nacogdoches, Texas, is accepting
submissions from sculptors for the third installation of Sculpture For All,
a biennial outdoor exhibition and competition. Up to ten works will be
selected for display on the SFA campus, which includes one of the largest
Azalea gardens in the nation. A stipend of up to $1000 will be awarded to
each of the artists chosen. Additional cash prizes for 1st, 2nd and 3rd
places will be awarded.
Deadline: January 16, 2017
Navasota Artist in Residency Spring 2017
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Call Type: Residencies
Fee: $25.00
Event Dates: 2/27/2017 – 8/7/2017
Entry Deadline: 1/16/17
The City of Navasota and The Arts Council of Brazos Valley are excited to open the Spring 2017 Navasota Artists in Residence Application! The Artists in Residence will have an opportunity to live, work, and exhibit in the historic Horlock Home in Navasota, Texas which includes living and studio space for each of the three selected artists as well as a retail gallery space. The term of each residency is roughly six (6) months. The City of Navasota will provide amenities including internet, cable, electricity, retail space and live/work space free of charge to selected artists with the purpose of providing artists the opportunity to create and sell their work.
40th International Exhibition: Watercolor Art Society-Houston
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Fee: $35.00
Entry Deadline: 1/20/17
Founded in 1975, the Watercolor Art Society – Houston (WAS-H) has brought the excitement of water media to the greater Houston area with exceptional exhibitions, dedicated community outreach, and teaching programs and demonstrations provided by world class instructors. With over 600 members, WAS-H has provided year-round opportunities to every level of painter – from novice to the seasoned expert. Artists and art lovers can also enjoy year-round exhibitions in the WAS-H gallery, situated in the heart of Houston’s vibrant Museum District.
This year’s event – the 40th Annual International Exhibition – will highlight the excellence of its talented members and global participants, past honorees and exceptional jurors – in an exhibition slated for March 2017. Combined with generous awards and the participation of a highly sought after Juror and Instructor, the 2017 International Exhibition is intended to promote and present outstanding talent by water media artists from around the world.
Texas National Competition & Exhibition 2017
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Call Type: Competitions
Fee: $35.00
Event Dates: 4/8/2017 – 6/10/2017
Entry Deadline: 1/22/17
Exhibition Dates: April 8 – June 10, 2017.
The Juror: Benito Huerta
Awards: 1st – $2,000; 2nd – $1,000; 3rd – $500; Honorable Mentions
Eligibility: TEXAS NATIONAL COMPETITION & EXHIBITION 2017 is open to all artists working in the United States. Works may be of any medium (except video and performance). All works must be original and completed within THE LAST TWO YEARS. Works too old or two large will be disqualified. No previously submitted works will be accepted. All works must be available through the entire run of the show. Do not submit works for jury that might be sold before or shown elsewhere during the TEXAS NATIONAL 2017 show time frame. Deadline for entries is January 22, 2017. Visit us at: http://www.art.sfasu.edu/cole. Questions? email us at sfaartgalleries@sfasu.edu, or call 936-468-1131.
Public Art Component/ Multi- Generational Recreation Center
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Call Type: Public Art
Lewisville, Texas
Fee: $0.00
Entry Deadline: 12/30/16
Lewisville is beginning design work on a new recreation facility, replacing two current buildings, to serve an age-diverse population. A public art component is to be included in the facility design. The City is commissioning an artist or group of artists to collarborate with the design team to integrate artwork than can successfully celebrate the communal purpose of the new center and it’s significance to Lewisville.
Conroe Art League 2nd Invitational Show (2017)
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Fee: $25.00
Event Dates: 2/1/2017 – 2/24/2017
Entry Deadline: 1/2/17
Conroe Art League 2017 2nd Invitational Show. You are invited to enter the second Conroe Art League Invitational. It will be juried by acclaimed artist, Cynthia K. Reid. This national call is for artists of original 2D and 3D artwork. Entry closes Tuesday, January 2, 2017 at midnight Mountain Time.
Selected works will be on exhibit throughout the month of February 2017. Cash prizes will be awarded to the top four selected artworks. Certificates of merit will be given to 3 works.
Exhibit Dates: Wednesday, February 1,2017 thru Friday, February 24, 2017
Deadline to apply: Tuesday, January 2, 2017 at midnight Mountain Time Zone
Shifting Landscapes
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Albuquerque, New Mexico
Fee: $40.00
Entry Deadline: 1/4/17
Members of the Surface Design association are invited to submit work for the 3rd International Juried Members’ exhibition, Shifting Landscapes. The exhibition will be held in partnership with form & concept gallery at their location in Santa Fe, NM from February 24 2017 – May 20, 2017 . The exhibition includes awards. Entries may be submitted online October 24, 2016 – January 4, 2017.
Southern Futurism
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Baton Rouge. Louisiana
Fee: $25.00
Entry Deadline: 1/6/17
Days remaining to deadline: 24
Like the Futurists of the early 20th century, we live in a world immersed in technology, urban trappings, speed, information, connectivity and change. Viewing it through a southern lens, tinted by tradition, can result in modern dissonance. For many, the narrative of the American South, will be informed and confined by its history, but how is its future to be portrayed? This exhibition seeks, in the broadest sense possible, to showcase contemporary artists’ depictions of the schism and reconciliation of what might be called the New Southern Futurism.
Art Springs 2017
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Hot Springs, Arkansas
Fee: $20.00
Entry Deadline: 1/20/17
Days remaining to deadline: 38
Art Springs is the free 2-day outdoor festival portion of the annual Hot Springs celebration – Arts & The Park. Art Springs is a juried festival bursting with Arkansas artists and artisans. Art Springs is held at the Hill Wheatley Plaza in downtown historic Hot Springs and is open from 10 am to 6 pm on Saturday, May 6 and 10 am – 4 pm on Sunday, May 7, 2017.
Brush with Burden 2017 Art Exhibition
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Baton Rouge, Louisiana
Fee: $20.00
Entry Deadline: 1/20/17
The LSU AgCenter Botanic Gardens at Burden is an oasis for garden and nature lovers in the heart of Baton Rouge, La. Situated on 440 acres of beautiful green space, it is one of the city’s and state’s greatest treasures. The missAny artwork thation of the Burden Horticulture Society is to promote, support and enhance the LSU AgCenter Botanic Gardens at Burden.
Email: BWB@burdenhorticulturesociety.com. Telephone: (225) 763-3990, Option 0
Reflections on 2016
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Baton Rouge, Louisiana
Fee: $30.00
Event Dates: 3/2/2017 – 4/15/2017
Entry Deadline: 1/27/17
For Baton Rouge, 2016 has proven to be a very difficult year. We have had shootings which have emphasized the racial tensions that mark out times. We have had record breaking floods that left people homeless or in tenuous situations, without their possessions or certainty of the future of their homes. On top of that, we are living through an election season that is causing tension in our town, state and country.
Artists through the ages have used their media to offer both veiled and overt social commentary. We are giving visual artists an opportunity to show how they are responding to the events of 2016. This is an opportunity to provide a forum for thought-provoking and insightful work.
VAL presents Eilene Carver: Targets, opening June 23
June 21, 2017
June 21, 2017
The Visual Arts League of Lewisville Presents Targets; a solo show featuring the works of Dallas based artist Eilene Carver.
Flyer: Press Release_MCL Grand VAL_Carver Targets Series
Website http://houstoncarverfineart.com/targets/
The MCL Grand Main Gallery will feature the paintings and drawings of Eilene Carver from June 23- July 29, 2017, with the opening reception Friday, June 23rd from 7-9pm. Gallery Hours T-Sat 10-5pm.
Eilene Carver is a South Texas native. She earned her BFA in Design from Baylor University and
her MFA in painting from UC Berkeley. Her pieces have received awards and been included in
national and regional exhibitions since 1986; including such venues as Laguna Gloria Museum in
Austin, The Berkeley Art Center, Women’s Museum of Dallas, San Antonio Museum of Art,
Michael Himovitz Gallery and the Graham Horstman Gallery.
Her work is included in public and private collections throughout the United States.
Eilene has taught drawing and painting at, Napa Valley College and the Richmond Art Center, as
well as conducting artist workshops in Thailand and Russia. She is currently a professor at Collin
College.
The works of this artist are particularly relevant given the almost daily occurrence of violence
directed at individuals or groups in public venues that in previous decades would be considered
safe; schools, concerts, public rally’s, nightclubs and sporting events. Her message regarding
these issues is, “if ignored, we are all possible “Targets.”
Artist statement:
“The aim of art is to represent not the outward appearance of things, but their inward significance. “
-Aristotle
This series is a departure from my illusionary still lives, more graphic in quality and addressing
an overtly controversial topic. Remaining is the use of symbolism to address subjects in a
surreptitious manner.
Sandy Hook served as a sort of ‘final straw.’ I sat quiet long enough after Columbine and
various similar events unfolded. I was compelled to express my feelings regarding the effects
of these experiences. The thought of ‘Small Targets’ originally came from the heartbreaking
stories of the Stockton school shooting, which took place a mere thirty minutes from UC
Berkeley where I was a graduate student. An ever-growing occurrence, I remain as shocked at
the thought of children as “targets” as I was that day. As I researched, google maps of school
shootings are filled with drop pins too numerous to count. Overlapping pins block history of
previous events, a parallel to overloaded consciousness, we collectively forget the impact of
each personal loss.
The Target was an obvious symbol to represent the random acts of violence that have become
all too commonplace. It is immediately recognizable and universally suggests a predator setting
aim on a focused subject. When I began my research three years ago, the intended topic was
school shootings – unfathomable small targets. However, as I worked through the initial
concepts, the series evolved into a broader depiction. I started to consider the more expansive
concepts of targeted violence such as: Black Lives Matter, the Pulse nightclub massacre, the
July 7th Dallas Police shootings, the Holocaust and other forms of religious persecution.
The layering of content is as interesting to me as the layers of brushstrokes. This combined
focus is ever engaging for me as a painter. Expressing the effects of light and color on forms is
a constant in my process, no matter the subject. Specific to this series, I purposed strong
physical surface texture to suggest a subtext of tumultuous movement and mood.
Aesthetically, the works that represent a specific shooting are intentionally uncomfortable,
many of these developed over a collaged target. Concerning myself less with a formally
pleasing composition, instead blatantly displaying the message over a target or ‘X’ form which
extends from one end of the canvas to the other. Unintentionally, these works developed
much darker palettes than planned, possibly due to the level of emotional involvement in their
creation. Some of the small Targets works treat the subject symbolically. These works evolved
into a more static, calm, formal space; some even contain pleasing colors and imagery.
As always, I strive for my work to be visually interesting while inspiring an introspective search for meaning. I very much agree with Max Beckman who stated, “In order to get something universal you must be very specific.” I don’t presume to provide solutions to this complicated dilemma. I desire to stir awareness to the tragic losses and hope these works spur open dialogue regarding what can be done to prevent the excessive incidents of gun violence. If ignored, we are all possible “Targets.”
About the MCL Grand Theater & Center for the Creative Arts The MCL Grand is a multi-purpose facility supporting numerous arts groups in the Greater Lewisville area by providing state of the art spaces for artists to perform and display their works. In addition, each year the Grand hosts regional & national exhibits. The arts community benefits from the availability of generous classroom space for artists workshops and meetings.
The facility features a 296-seat theater with acoustics designed for both speech and music, a 2,200-square foot professional art gallery, a 2,400-square foot dance recital hall, 3,000 square foot black box theater and 1, 750 square feet of classrooms. The MCL Grand is in the heart of Old Lewisville, a newly revived destination spot with numerous trendy eateries and taverns surrounding Wayne Ferguson Plaza, urban park with easy access to Dart Rail, yellow line and I-35. MCL Grand 100 N. Charles Street, Lewisville, TX 75057.