MAJOR WORKS BY EL GRECO, GOYA, & SOROLLA TO TRAVEL TO THE US FOR TWO NEW EXHIBITIONS AT MEADOWS MUSEUM:
Highlights from The Bowes Museum Opens September 15, Bringing 11 Paintings & Archival Material That Explore The Bowes Museum and Its Founders
Opening October 18, Sorolla in the Studio Explores the Artist’s Work—and Rising Fame—in the Early 20th Century
DALLAS (SMU)—July 16, 2019—This fall, the Meadows Museum, SMU, will present two new exhibitions that bring exemplary works by masters of Spanish painting to the US. Beginning on September 15, the Meadows will present 11 paintings produced by some of Spain’s most celebrated artists, drawn from the collection of England’s The Bowes Museum. Curated by Amanda Dotseth, El Greco, Goya, and a Taste for Spain: Highlights from The Bowes Museum will mark the first time that works from that museum will travel to the US. Then, on October 18, the Meadows will open Sorolla in the Studio: An Exceptional Loan from an Important Spanish Collection, which will examine the development of Joaquín Sorolla y Bastida’s distinctive modern approach. The exhibition is anchored by the artist’s 1902 painting Female Nude, which is privately-owned and being brought to the US for the first time in more than 100 years. Curated by Meadows Curatorial Fellow Daniel Ralston, Sorolla in the Studio will also include paintings and works on paper by the artist from the Meadows collection. Together, the exhibitions highlight the Meadows Museum’s commitment to securing critical loans that capture the depth and trajectory of Spanish art and to engaging American audiences with Spanish artists and movements. Both exhibitions will close on January 12, 2020.
“These two exhibitions help us to better understand the ongoing taste and interest for Spanish painting,” said Mark Roglán, the Linda P. and William A. Custard Director of the Meadows Museum. “The 19th-century collectors John and Joséphine Bowes stand out for the speed and acuity with which they built their incredible collection, one of the finest assembled during the Victorian era, which includes more than 70 examples of Spanish art. Just a half-century later, Joaquín Sorolla would be influenced by Velázquez’s famous ‘Rokeby Venus’ to paint his transformative work Female Nude, marking an important moment in the artist’s career. Together, these shows demonstrate the enduring impact of Spanish art—and our mission to bring these works to North American audiences.”
Sorolla in the Studio
Joaquín Sorolla y Bastida (1863–1923) was already a well-established artist when he painted Female Nude in 1902, an intimate and exquisite painting of his wife. The work was inspired by Sorolla’s desire to create a painting that would rival Diego Velázquez’s (1599–1660) The Toilet of Venus (1647–51), a masterpiece of Spanish Golden Age painting that Sorolla saw at its then-home at Rokeby Park in northern England. While Female Nude is an homage to Velázquez, it also captures Sorolla’s artistic mastery and distinct style.
Female Nude was long held in Sorolla’s personal collection, where it was on prominent display in his studio. In 1911, the painting first visited the US for exhibitions at the Art Institute of Chicago and the then City Art Museum in St. Louis. This fall, Female Nude returns to the US for the first time since those 1911 exhibitions, as a long-term loan to the Meadows Museum from a private collection in Spain. To celebrate the arrival of this important work, the Meadows will explore a key period in Sorolla’s life, looking at his artistic process and the evolution of his work in a variety of media between 1902 and 1906.
In addition to Female Nude, Sorolla in the Studio draws on paintings in the Museum’s collection, such as The Blind Man of Toledo (1906) and Valencia Beach (c. 1904-5), as well as several works on paper acquired by the Meadows last year from the artist’s descendants. Together, these works show how Sorolla developed initial compositional ideas in loose, quickly rendered sketches and transformed them into masterful large-scale paintings.
“In the fertile period that this exhibition considers, Sorolla consolidated his brilliant and gestural style, intensified his engagement with the history of Spanish art, and cultivated all of his most characteristic subjects: representations of family, searching portraits, Spanish landscapes, and sunlit Mediterranean beach scenes,” said Daniel Ralston, Meadows Curatorial Fellow and curator of the exhibition. “This is an opportunity to study the artist’s compositional process at a crucial moment in his career, as he consolidated not only his international renown but also his place in the history of Spanish art.”
Just ahead of the exhibition opening, on October 17, at 6pm, the Meadows will host a lecture by Blanca Pons Sorolla, a scholar of the artist’s work, focused on Sorolla’s many depictions of his wife, Clotilde García del Castillo. Throughout his career, Sorolla represented her as his muse, the mother of his children, and the wife of an artist. The talk will give particular emphasis to Female Nude, for which Sorolla’s wife also served as inspiration. This program will be followed by a reception in honor of this special loan.
About The Bowes Museum
The Bowes Museum was created over 100 years ago by an extraordinary couple, John and Joséphine Bowes. Together they built the greatest private collection of fine and decorative arts in the North of England and constructed a magnificent building to house it. The collection contains thousands of objects including furniture, paintings, sculpture, ceramics, textiles and many other items covering an extensive range of European styles and periods. The Bowes Museum receives a core funding grant from Durham County Council, and as a Major Portfolio Museum receives support from Arts Council England, the national development body for arts and culture across England. The Bowes Museum is also a member of the Discover Durham partnership of attractions. For more information visit https://www.thebowesmuseum.org.uk/.
About the Meadows Museum
The Meadows Museum is the leading U.S. institution focused on the study and presentation of the art of Spain. In 1962, Dallas businessman and philanthropist Algur H. Meadows donated his private collection of Spanish paintings, as well as funds to start a museum, to Southern Methodist University. The museum opened to the public in 1965, marking the first step in fulfilling Meadows’s vision to create “a small Prado for Texas.” Today, the Meadows is home to one of the largest and most comprehensive collections of Spanish art outside of Spain. The collection spans from the 10th to the 21st centuries and includes medieval objects, Renaissance and Baroque sculptures, and major paintings by Golden Age and modern masters. For more information visit https://meadowsmuseumdallas.org/.