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Meadows Museum presents Spanish Modern Art in Fall

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MAJOR US SURVEY OF SPANISH MODERN ART
FEATURING MORE THAN 90 WORKS BY 50 ARTISTS TO BE PRESENTED
BY THE MEADOWS MUSEUM

Exhibition Marks Unprecedented Partnership with Asociación Colección Arte
Contemporáneo, Bringing Works Never Previously Displayed in US to Dallas

Dallas (SMU)—June 21, 2016—This fall, the Meadows Museum at SMU will present the most
comprehensive survey of Spanish modern art to be shown in the United States in 50 years. The
exhibition, which features more than 90 works of art dated from 1915-1957 by approximately 50
artists, is drawn predominantly from the Asociación Colección Arte Contemporáneo (ACAC),
one of the most significant repositories of Spanish modern art in the world, with select
masterpieces from the renowned collection of the Meadows Museum. The collaboration and
exhibition mark the first time many of these works will travel to the U.S., and the first
opportunity for American audiences to experience the exceptional breadth and depth of the
ACAC’s modern art collection. Curated by Eugenio Carmona, an internationally recognized
scholar of 20th-century art, Modern Spanish Art from the Asociación Colección Arte
Contemporáneo will be on view at the Meadows—the only venue for this exhibition—from
October 9, 2016 through January 29, 2017.

The ACAC, which was formed in 1987 by a group of private companies in Spain, offers the only
complete visual narrative of the development and evolution of Spanish art, from the beginnings
of modern art to the present, through the work of many of the most important artists of the time.
Leveraging the exceptional scope of the ACAC, the exhibition explores five distinct trajectories
taken by Spanish artists of this period. Among the artists featured are Eduardo Chillida, Óscar
Domínguez, Pablo Gargallo, Julio González, Antoni Tàpies, Joaquín Torres-García, Josep
de Togores, and Jorge Oteiza, who were little appreciated in their time but today have found
international acclaim; Rafael Barradas, Leandre Cristòfol, Ángel Ferrant, Alberto Sánchez,
and José Guerrero, who influenced the practice of their contemporaries in the U.S. and Spain
alike; and artists, who—though critical to the history of modern art—remain lesser-known,
including Alfonso Olivares and Martín Chirino. Works by these artists, and many more, are
further augmented with masterpieces by some of the most famed Spanish modern artists, drawn
from the collection of the Meadows Museum, including Salvador Dalí, Juan Gris, Joan Miró,
and Pablo Picasso.

“The 20th century was a fertile and creative time when it comes to modern art in Spain. In spite
of the Civil War and the Franco regime, great art continued to be created throughout the era,”
said Mark Roglán, the Linda P. and William A. Custard Director of the Meadows Museum. “The
exhibition, through our collaboration with the ACAC, revisits this important artistic period and
re-engages with artists and art that deserve greater recognition and a place in the popular
understanding of modern art.”

While Spanish art of this period cannot be fully separated from its historical context, the
exhibition focuses on the tremendous aesthetic contributions of Spanish artists to modern art at
large, including those of the diaspora of Spanish artists who were working in cities such as Paris.
The five sections of the exhibition highlight five sensibilities that were present among modern
Spanish artists; connective threads are evident among the featured artists, yet the diversity of the
formal and conceptual approaches they took is underscored as well. The sections are as follows:

RafaelBarradas	(Uruguayan,	1890- 1929), Calle	de	Barcelona,	1918.	Oil	on	 canvas. Asociación	Colección	Arte	 Contemporáneo,	Museo	Patio	Herreriano

Rafael Barradas (Uruguayan, 1890-
1929), Calle de Barcelona, 1918. Oil on
canvas. Asociación Colección Arte
Contemporáneo, Museo Patio Herreriano

Form: Towards a Constructive Art
Works in this section represent a transition from the Cubist
style to a freer interpretation of concrete, structured forms.
Both abstract and figurative in subject, many of the works of
art in this section highlight a powerful connection to the art of
Latin America.

Alfonsode	Olivares	(Spanish,	1898- 1936), Doric	Column,	1932.	Oil	on	 canvas. Asociación	Colección	Arte	 Contemporáneo,	Museo	Patio	Herreriano

Alfonso de Olivares (Spanish, 1898-
1936), Doric Column, 1932. Oil on
canvas. Asociación Colección Arte
Contemporáneo, Museo Patio Herreriano

Lyricism and Free Expression
With these works, artists embraced a freedom and spontaneity
in both gesture and subject matter. The paintings and sculptures
in this section are connected by a sense of action and energy.
Several of the works in this section represent a precursor to the
advent of North America’s Abstract Expressionist movement.
Alfonso de Olivares (Spanish, 1898-
1936), Doric Column, 1932. Oil on
canvas. Asociación Colección Arte
Contemporáneo, Museo Patio Herreriano
Rafael Barradas (Uruguayan, 1890-
1929), Calle de Barcelona, 1918. Oil on
canvas. Asociación Colección Arte
Contemporáneo, Muse

JoaquimSunyer	(Spanish,	1874-1956), Portrait	of	Josep	M.	Albiñana,	1918-19.	 Oil	on	canvas. Asociación	Colección	Arte	 Contemporáneo,	Museo	Patio	Herreriano

Joaquim Sunyer (Spanish, 1874-1956),
Portrait of Josep M. Albiñana, 1918-19.
Oil on canvas. Asociación Colección Arte
Contemporáneo, Museo Patio Herreriano

New Physiognomies, New Realisms
The artists represented in this section were at the forefront of
modern realism; these artists depicted the men and women of a
transforming European society in compositions that
underscored their differences, their modernity and complexity,
and particularly for women, their changing role in society.

JoanPonç	(Spanish,	1927- 1984), Composition,	1947.	Mixed	media	on	 board. Asociación	Colección	Arte	 Contemporáneo,	Museo	Patio	Herreriano

Joan Ponç (Spanish, 1927-
1984), Composition, 1947. Mixed media on
board. Asociación Colección Arte
Contemporáneo, Museo Patio Herreriano

Surrealisms Expanded
This section explores the range of approaches Spanish artists
took to what is commonly understood as Surrealism. The work
of these artists reveals a broader perception of what it meant to
depict the unconscious, dream-state associated with the genre;
these representations, in both two and three dimensions,
uncover new ideas of paranoia, exile, memory, and human
nature—both individual and collective.

ManoloMillares	(Spanish,	1926- 1972), Collage,	1954.	Mixed	media	and	 collage	on	burlap. Asociación Colección	Arte	 Contemporáneo,	Museo	Patio	Herreriano

Manolo Millares (Spanish, 1926-
1972), Collage, 1954. Mixed media and
collage on burlap. Asociación Colección Arte
Contemporáneo, Museo Patio Herreriano

Nature and Culture
The distinct relationship between nature and culture as
expressed through art is explored in this section. The
convergence of popular culture with nature and ethnography
resulted in a vibrant approach to the creative process through
which modern art and cultural identity were uniquely joined.

“In order to understand the scope and intensity of Spanish modern art, we have to ignore the
common use of ‘isms,’ and look to the content of the works themselves,” Carmona explained.
“The Spanish artists active during the heart of the 20th century continually pushed and eroded
formal boundaries. Today, their work cannot be easily categorized as it falls dynamically across
style, approach, and movement. With this exhibition and the groundbreaking partnership
between the Meadows Museum and ACAC, we are providing new access to some of the major
works of modern art.”


This exhibition has been organized by the Meadows Museum and the Asociación Colección Arte
Contemporáneo in collaboration with Acción Cultural Española. BBVA/Compass is the main
Supporting Corporate Sponsor, with the collaboration of Técnicas Reunidas, S.A.; Fundación
Aon España; Fundación ACS; and Gas Natural Fenosa. A generous gift from The Meadows
Foundation has made this exhibition possible.
About the Meadows Museum
The Meadows Museum is the leading U.S. institution focused on the study and presentation of
the art of Spain. In 1962, Dallas businessman and philanthropist Algur H. Meadows donated his
private collection of Spanish paintings, as well as funds to start a museum, to Southern
Methodist University. The Museum opened to the public in 1965, marking the first step in
fulfilling Meadows’s vision to create “a small Prado for Texas.”
Today, the Meadows is home to one of the largest and most comprehensive collections of
Spanish art outside of Spain. The collection spans from the 10th to the 21st centuries and
includes medieval objects, Renaissance and Baroque sculptures, and major paintings by Golden
Age and modern masters. Since 2010 the Museum has been engaged in a multidimensional
partnership with the Museo Nacional del Prado in Madrid, which has included the exchange of
scholarship, exhibitions, works of art, and other resources.
About Asociación Colección Arte Contemporáneo
The Asociación Colección Arte Contemporáneo (ACAC) was founded in 1987 by a large group
of private Spanish enterprises with a mission to contribute to the conservation and dissemination
of Spanish artistic heritage through the establishment of a collection of modern and
contemporary art. In a unique arrangement, the companies contribute annually to an acquisition
fund for the ACAC; these funds are then used to purchase works for the collection, guided by the
ACAC’s distinguished panel of art advisors, including Antonio Bonet, Eugenio Carmona and
Simón Marchán. Titular ownership of the works is then assigned to the participating companies
by lottery, while the objects themselves remain under the care of, and publicly accessible
through, the ACAC. This method ensures that the artworks acquired reflect the collection’s
commitment to showcasing the brilliant history of Spain’s artists and to restoring to prominence
works by many lesser-known artists.
The ACAC is chaired by José Lladó, renowned businessman, philanthropist and benefactor for
arts and culture. Since 2002, María de Corral has been director of the collection, which now
numbers more than 1,100 paintings, sculptures, and works on paper, in which most Spanish
artists of the 20th and 21st centuries are represented. ACAC has developed its outreach mission with more than 1,110 loans to some 300 institutions and museums all over the world, and has also organized 23 exhibitions with its own funds, both within and outside of Spain, in order to achieve one of its main objectives: putting the collection in the service of society. In January 2000, a loan agreement was signed with the city of Valladolid for the deposit of the collection to the city’s Museo Patio Herreriano, focusing on the public enjoyment of these works in a permanent venue.

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